*THE DAWN OF HOME RECORDING*
Emil Amos' Drifter's Sympathy - A podcast by Talkhouse
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Season 4 opens with a historical dig into the culture of home recording, beginning with Les Paul's initial invention of the overdub and then down the winding path of loner practitioners who seized his technology to exorcise their demons. Les Paul couldn't get electronic companies to listen to his ideas on multi-tracking for a couple decades so out of pure frustration, he assembled the ability to overdub in his garage using his father's old car parts and two lathe-cutting machines. After scoring 7 number one hits from his garage using the power of the overdub, he innovated a new way to add extra heads to mono-recorders and forced the Ampex Tape Machine company to accept that a new era had arrived. This changed music production forever and eventually put the power of recording entire records and exploring one's own imagination into the hands of the lone individual. The focus and frustration that pushes someone towards invention parallels the same dynamic we experience when pushed to a breakthrough during spiritual struggle, which this season's odd-numbered story episodes will discuss. The advent of home recording opened up new channels and possibilities in private expression while inadvertently creating an 'underground' in-itself. This episode explores the beauty of this new free, independent world with R. Stevie Moore as its core underdog hero, someone who exemplifies the ceaseless searching and private alchemy of the home recorder.