0260 – “Hello…”

2021.09.17 – 0260 – “Hello…”Intonation is what we all use naturally every day in our conversational speech. As native speakers of whatever language, we have the rhythms and flows, the up and downlifts, the speed, projections and pauses, all in-built. That’s because we have heard the lilt of the language from inside the womb and every day since. And it’s the same when we hear people too: if your partner calls you on the phone you can tell immediately what kind of day they’re having – not so much what they say but how they say it: “You had a good day hun?” / “Yeah, it’s been great…” Without extra explanation, the written word has to be taken at face value, but the verbal word will be laden with additional meaning. “Hello.” A simple straightforward word that we say a dozen times a day to different people in different situations. And many of the times we say it, we intonate it differently. Let’s look at a single word, (perhaps therefore more of a look at its tone rather than its intonation in relationship with other words around it).·        “Hello” – when meeting a friend for a planned weekly lunch date ·        “Hello” – when meeting them for the first time since lockdown·        “Hello” – when bumping into them hundreds of miles from home while on holiday·        “Hello” – when bumping into someone you don’t much care for, while on holiday·        “Hello” – when bumping into an attractive stranger, you wanted to flirt with·        “Hello” - when bumping into a colleague in the corridor How we say a word – as we saw in the chapter on tone - gives meaning to it beyond its basic definition.Audio recording script and show notes (c) 2021 Peter Stewart Through these around-5-minute episodes, you can build yourconfidence and competence with advice on breathing and reading, inflection andprojection, the roles played by better scripting and better sitting, mictechniques and voice care tips... with exercises and anecdotes from a careerspent in TV and radio studios. If you're wondering about how to start apodcast, or have had one for a while - download every episode! And as themes develop over the weeks (that is, they are notrandom topics day-by-day), this is a free, course to help you GET A BETTERBROADCAST, PODCAST AND VIDEO VOICE. Look out for more details of the book during 2021. Contacts: https://linktr.ee/Peter_Stewart Peter has been around voice and audio all his working life andhas trained hundreds of broadcasters in all styles of radio from pop musicstations such as Capital FM and BBC Radio 1 to Heart FM, the classical musicstation BBC Radio 3 and regional BBC stations. He’s trained news presenters onregional TV, the BBC News Channel and on flagship programmes such as the BBC’sPanorama. Other trainees have been music presenters, breakfast show hosts,travel news presenters and voice-over artists. He has written a number of books on audio and video presentationand production (“Essential Radio Journalism”, “JournoLists”, two editions of“Essential Radio Skills” and three editions of “Broadcast Journalism”) and haswritten on voice and presentation skills in the BBC’s in-house newspaper“Ariel”. Peter has presented hundreds of radio shows (you may have heardhim on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regionalradio) with formats as diverse as music-presentation, interview shows,‘special’ programmes for elections and budgets, live outside broadcasts andcommentaries and even the occasional sports, gardening and dedicationprogrammes. He has read several thousand news bulletins, and hosted nearly2,000 podcast episodes, and is a vocal image consultant advising in all aspectsof voice and speech training for presenters on radio and TV, podcasts andYouTube, voiceovers and videocalls. The podcast title refers to those who may wish to change theirspeaking voice in some way. It is not a suggestion that anyone should, or bepressured into needing to. We love accents and dialects, and are well awarethat how we speak changes over time. The key is: is your voice successfullycommunicating your message, so it is being understood (and potentially beingacted upon) by your target audience? This podcast is London-based and examples are spoken in the RP(Received Pronunciation) / standard-English / BBC English pronunciation,although invariably applicable to other languages, accents and dialects. Music credits:"Bleeping Demo" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/7012-bleeping-demoLicense: https://filmmusic.io/standard-license "Beauty Flow" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/5025-beauty-flowLicense: https://filmmusic.io/standard-license "Envision" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/4706-envisionLicense: https://filmmusic.io/standard-license "Limit 70" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/5710-limit-70License: https://filmmusic.io/standard-license "Rising Tide" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/5027-rising-tideLicense: https://filmmusic.io/standard-license "Wholesome" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/5050-wholesomeLicense: https://filmmusic.io/standard-license  Hosted on Acast. 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