S2.5/E32: Music Publishing Isn't Scary or Confusing + How to Land a Sync Placement w/ Songtrust's Julia Pernicone

How to Build a Sustainable Music Career and Collect All Revenue Streams - A podcast by Emily White

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Music publishing has struck fear into the bones of countless songwriters / artists & music industry professionals. But there is truly no need! Our goal is for you to clearly define what music publishing is & how to collect on it IN FULL. Music publishing is the #1 missing revenue stream Host & Author Emily White sees when meeting with & talking to musicians at all ages & stages of their careers. To solve this Emily sits down w/ Songtrust's Julia Pernicone to discuss this crucial topic & more. We'll also share how to put yourself in the best position to land sync placements i.e. music in film, TV, commercials / adverts & more. Here we go! This episode is brought to you by ⁠⁠Downtown Music⁠⁠, whose mission is to shift the power center of the music industry into the hands of those who create - & those who support that creation - by giving them the finest and most comprehensive set of tools and services. Downtown is committed to building a more equitable music business. Downtown believes in partnership, advocacy, and helping musicians develop sustainable careers - so they don't require clients to give up ANY of their copyrights. Also! We're planning live podcast tapings both in the U.S. & around the world in coming months & years. If you'd like to be in the loop on said live events, & all updates on the book this podcast is based on, ⁠⁠⁠sign up for our email list HERE.⁠⁠⁠  ⁠Book this podcast was based on (Second Edition):⁠ 10% off w/ code PODCAST Season Two Video trailer: https://youtu.be/ubuyq9uYa8s FULL VIDEO of this & ALL Season Two episodes available under the VIDEOS tab HERE: https://volume.com/p/sustainablemusiccareer/ Questions? ⁠⁠⁠@EmWizzle on Twitter⁠⁠⁠ CREDITS: Creator, Executive Producer, Producer, & Host:⁠⁠⁠ Emily White⁠⁠⁠ Project Manager: ⁠⁠Michael Zimmerlich⁠⁠ Engineer: ⁠⁠⁠Nathan Cain⁠⁠⁠ Music: ⁠⁠⁠Matthew Wang⁠⁠⁠ Recorded Live at ⁠⁠Nō Studios