The Evolution of the ‘Sad Girl’ Archetype: From Lana Del Rey to Madeline Argy

In this week's episode, we dive into the evolution of the 'sad girl' archetype from music and art to influencer culture. We first cover what 'sad girl' means, which celebrities have become successful from presenting this way, and why it could be considered controversial. We finish by looking at how 'sad girl' has evolved with influencer culture with the likes of creators like Emma Chamberlain and Madeline Argy, and why we think this archetype resonates so much with Gen Z. Find our podcast YouTube channel here: https://www.youtube.com/channel/UC18HclY7Tt5-1e3Z-MEP7Jg  Subscribe to our weekly Substack: https://centennialworld.substack.com/  Join our Geneva home: https://links.geneva.com/invite/7eb23525-9259-4d59-95e3-b9edd35861a5  Follow us on Instagram: https://www.instagram.com/infinitescrollpodcast/  Follow our publication: https://www.instagram.com/centennialworld/  Follow Lauren on Instagram: https://www.instagram.com/laurenmeisner_/  Follow Jordy on Instagram: https://www.instagram.com/jordyn_christensen/  Timestamps: 1:50 What is 'sad girl'? 6:30 How 'sad girl' is manifesting in influencer culture 9:20 TikTok creator Mayi goes viral for 'sad girl' video & user feedback 24:30 Why 'sad girl' can be controversial 37:45 'Sad girl' archetype history 42:00 Resurgence of 'sad girl' for Gen Z 59:20 Madeline Argy & Emma Chamberlain as 'sad girls' 2.0 55:45 Our opinions on why Gen Z resonate with sad girl Resources: https://www.tiktok.com/@mayitalks/video/7285494297410014496?_t=8gKSEbc0RDm&_r=1  https://i-d.vice.com/en/article/pabzay/a-taxonomy-of-the-sad-girl  https://www.bustle.com/life/who-is-madeline-argy-pretty-lonesome-podcast  https://www.vox.com/the-goods/2020/9/29/21492270/emma-chamberlain-youtube-coffee  https://www.vanityfair.com/style/2023/09/madeline-argy-saint-laurent-paris-fashion-week  https://www.rappler.com/life-and-style/arts-culture/beyond-trope-unpacking-sad-girl/#:~:text=Sad%20Girls%20are%20young%20women,frames%2C%20cursive%20tattoos) https://link.springer.com/chapter/10.1007/978-3-031-16756-0_5#Fn2