Episode 25-Season Three Overture

Want a sneak peek of future IMS episodes? Tune in to hear a bit about instruments on the fringe of the session; Scottish, Cape Breton, and Irish music connections; the long (global) reach of Celtic traditions; practice habits of traditional players and dancers; the intersection between food, drink, and traditional music; and musical connections to the Overworld! * * * * * * * Special thanks to Susan Walsh, Peggy Bogardus, Nathan Weston, Gerry Corr, Brian Benscoter, and Joe Garrett for supporting this episode. And thank you to Matt Heaton for script editing and production music. Please CLICK HERE if you can kick in to support this podcast! * * * * * * * Visit IrishMusicStories.org * * * * * * * Music Heard on IMS Episode 25 all music traditional, unless otherwise indicated Tune: “G Chimes,” from Production Music Made for Irish Music Stories Artist: Matt Heaton (guitar) Tune: “My Love is in America” from DeargaArtists: Shannon Heaton (flute), Matt Heaton (guitar & bodhran) Tune: “Sabai Sabai,” from Production Music Made for Irish Music Stories Artist: Matt Heaton (guitar) Tune: “The B Minor Cut,” (strathspey) from CutsArtist: Andrea Beaton Tune: “A Beautiful Ending,” from BranchesArtist: Andrew Finn Magill Tune: “Hometown Lullaby,” from Production Music Made for Irish Music Stories Artist: Matt Heaton (guitar) Tune: “Blue Dress Waltz,” from The Blue DressArtists: Maeve Gilchrist (harp), Shannon Heaton (flute) Tune: “Aimee and Shodekeh,” from Cybertrad (by Matthew Olwell) Artists: Aimee Curl (bass), Shodekeh Talifero (voice) Tune: “Reavy’s,” from Traditional Music On Fiddle, Banjo & HarpArtists: Oisin Mac Diarmada, Brian Fitzgerald, Micheal O'Ruanaigh Tune: “Across the Border,” (by Koji Nagao) from tricolor BIGBANDArtist: Yuka Nakafuji and Tricolor