Noise and Information in the Office (Joseph L. Clarke)

Join Our Patreon!Send us a voice message!Rate this podcast!Ever wonder who’s to blame for the noise and distraction of the open office? Our guest has answers.Joseph L. Clarke is a historian of art and architecture and an associate professor at the University of Toronto. His 2021 book Echo’s Chambers: Architecture and the Idea of Acoustic Space won a 2022 CHOICE Award for Outstanding Academic Title. It’s a fascinating history of how architects have conceived of and manipulated the relationship between sound and space. His most recent publication is “Too Much Information: Noise and Communication in an Open Office.” In this episode we’ll talk about media theorist Marshall McLuhan and his architecturally inspired theory of acoustic space, which went on to have its own influence in the field of architecture. We’ll also dive deep into the history of the open plan office, the theories of acoustic communication that inspired it, the sonic disaster it became, and the new media technologies that were invented in response. If you’ve ever been driven to distraction by noise in a cubicle farm or open office and wondered how such a space came to be, this episode’s got answers!For our Patrons, we have another half hour of our interview, in which we cover the full history of architectural acoustics going back to the ancients and all the way up to the computer models of today. It’s really fascinating. You’ll also hear Joseph’s “What’s Good” segment, which is one of the best ever—some really unexpected selections for something good to read, listen to, and do. To join, go to Patreon.com/phantompower.TranscriptMack Hagood: All right, Joseph. Welcome to the show. Joseph L. Clarke: Thanks Mack. Mack Hagood: So you were just just telling me before that you are in Paris right now, in like some kind of 17th century building. Is that correct? Joseph L. Clarke: Oh yes. The building where I’m staying, it’s in the center of Paris. You know, all the buildings around me are kind of from the 17th, 18th, 19th centuries. So it’s a somewhat primitive space, but a very charming one. Mack Hagood: That sounds amazing. You really know how to do a research leave. What are you doing in Paris? Joseph L. Clarke: You know, I’m following up on some of the research that I did for my book. My book came out a few years ago, but I’m still trying to trace down some, some of the loose threads. I’m also just really interested in the conversations and the discourse around sound and space in France in relation to the conversations that we have in North America. I teach at the University of Toronto. This was, of course, the home of Marshall McLuhan, back in the fifties and sixties. Who came up with the idea of kind of popularizing the idea of acoustic space. Canada was also the home of people like R. Murray Schafer who you did a program on the podcast. So there’s a lot of interesting discussions in Canada around sound and the spatial environment. But in France, there’s a very long standing tradition of  experimental music, sound art, the musique concrète  Pierre Shaeffer in the 1940s. Still today a lot of research and experimental music. In the French academia, there’s this tradition of the history of sensibilities. And I’m thinking about a writer like Alain Corbin who’s written a number of book...