#13: Timpani In, Timpani Out | TLJ Minutes 61-65

How can music and sound assist the transitions in a film? In this episode, we take 10 cuts/transitions from The Last Jedi and examine what's happening musically. Spoiler: There are lots of timpani rolls! Main Points: Terms Explained: mix, transition, crescendo, riser, volume axis vs. pitch axis, timpani, sustained, music bed, single note vs. chord 10 Transitions: 1:00:40 - Luke and Rey in Cave --> Flashback dark ext. shot of temple 1:00:48 - Dark ext shot --> Luke standing over Ben 1:00:53 - Temple crumbling --> blackout --> Luke kneeling with temple in flames 1:01:20 - Luke kneeling by R2, lip quivering "But it was me. I failed..." --> Back to POV Rey and Luke in the temple 1:02:02 - Cave Rey says "You didn't fail Kylo. He failed you. I won't." --> ext. shot of space battle stuff 1:02:18 - Ext. space battle stuff --> interior of the Supremacy 1:02:32 - int. Supremacy --> various space battle stuff 1:02:42 - Pilot looking at hologram Holdo --> Holdo looking at hologram pilot 1:03:05 - Cut to exterior of Canto Bight prison 1:03:10 - Exterior to interior of the jail. 1:04:50 - Bonus! The moment Rose and Finn decide to chase after DJ. 3 Transition Techniques: Swell Timpani in / timpani out Single sustained notes Themes Referenced (in order of appearance): Luke and Leia, Han and Leia, Imperial March (tease), Rey's theme, a Rebel fanfare? Where we are in the soundtrack: "Who Are You?" Connect with Star Wars Music Minute: Watch us on YouTube: youtube.com/starwarsmusicminute Twitter: @StarWarsMusMin and @chrysanthetan Instagram: @starwarsmusicminute and @chrysanthetan Email [email protected] Submit anonymous questions/comments for the show with this quick form. Want more? Check out Chrysanthe's Patreon for weekly practice/composing/music analysis livestreams and a private Discord server.