Eavesdropping at the Movies

A podcast by Jose Arroyo and Michael Glass

Categories:

440 Episodes

  1. 419 - American Fiction

    Published: 2/7/2024
  2. 418 - Maestro

    Published: 2/5/2024
  3. 417 - The Holdovers

    Published: 2/2/2024
  4. 416 - The Zone of Interest

    Published: 1/30/2024
  5. 415 - The Beekeeper

    Published: 1/23/2024
  6. 414 - Poor Things

    Published: 1/21/2024
  7. 413 - Priscilla

    Published: 1/19/2024
  8. 412 - The Goldfinger

    Published: 1/16/2024
  9. 411 - The Boy and the Heron

    Published: 1/12/2024
  10. 410 - Ferrari

    Published: 1/10/2024
  11. 409 - Next Goal Wins

    Published: 1/7/2024
  12. 408 - Godzilla Minus One

    Published: 12/19/2023
  13. 407 - Wonka

    Published: 12/16/2023
  14. 406 - Dream Scenario

    Published: 12/5/2023
  15. 405 - Napoleon (2023)

    Published: 11/27/2023
  16. 404 - The Killer

    Published: 11/18/2023
  17. 403 - Killers of the Flower Moon

    Published: 10/30/2023
  18. 402 - Saw X

    Published: 10/14/2023
  19. 401 - A Haunting in Venice

    Published: 10/12/2023
  20. 400 - The Nun II and The Exorcist: Believer

    Published: 10/10/2023

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"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo. "I just like the sound of my own voice." - Michael Glass.