Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
462 Episodes
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Episode 218: The Vox Hunters (Filipin{x/a/o} Music)
Published: 10/28/2020 -
Episode 217: Linda Danielson (Oregon Old-Time Fiddling)
Published: 10/21/2020 -
Episode 216: Karen Celia Heil (Dork Demographics, Visiting the Geezers, and The Berkeley Old Time Music Convention)
Published: 10/14/2020 -
Episode 215: Alex Sturbaum (Newfoundland tunes, Loomings, and Mitch McConnell)
Published: 10/7/2020 -
Episode 214: Rachel Dunaway (Old Time Banjo)
Published: 9/30/2020 -
Episode 213: Ian Boone (Has to Be the Only Person with this Banjo Origin Story)
Published: 9/23/2020 -
Episode 212: Matt Brown (Two-Finger Banjo)
Published: 9/16/2020 -
Episode 211: Leela Grace (Family Bands, Songwriting, and Undoing Bad Music Education)
Published: 9/9/2020 -
Episode 210: Aaron Jonah Lewis (Classic Banjo and Ragtime)
Published: 9/2/2020 -
Episode 209: Grace van't Hof (Pop, Country, and Queerness in the Early 20th Century)
Published: 8/26/2020 -
Episode 208: Maddie Witler (Mandolin in Old Time and Lateral Learning)
Published: 8/19/2020 -
Episode 207: Nicole Singer (Traditional Unaccompanied Singing)
Published: 8/12/2020 -
Episode 206: Rupert Deese (Far Flung Fiddle Contest)
Published: 8/5/2020 -
Episode 205: Tatiana Hargreaves (Music For Others and Music For Yourself)
Published: 7/28/2020 -
Episode 204: Brandi Pace (Decolonizing the Music Room)
Published: 7/22/2020 -
Episode 203: Cathy Fink and Marcy Marxer (Hold Each Other Up)
Published: 7/15/2020 -
Episode 202: Josh Larios (Explains Low-Latency Online Jamming)
Published: 7/8/2020 -
Episode 201: Albin Ekman (Swedish Fiddle Music and Dance)
Published: 7/1/2020 -
Episode 200: Cameron DeWhitt (Episode 200! Ft. Rachel Eddy)
Published: 6/24/2020 -
Episode 199: Jake Blount (Spider Tales)
Published: 6/17/2020
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.