Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
462 Episodes
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Episode 162: Genevieve Koester (Live at the Old Town School of Folk Music)
Published: 10/2/2019 -
Episode 161: Penka Jane Culevski (Suzuki, Star Trek, and Beating Up Satan)
Published: 9/25/2019 -
Episode 160: Maggie Shar (Clawhammer Banjo)
Published: 9/18/2019 -
Episode 159: Coral Nast (Takes an Old Time Fast)
Published: 9/11/2019 -
Episode 158: Gray Buchanan (Contradancing in Heelys and Trad Dad Music)
Published: 9/4/2019 -
Episode 157: Brian Lindsay (Contra Dances, Irish Fiddle, and Pop Country)
Published: 8/28/2019 -
Episode 156: George Jackson (Tune Titles and Tall Poppies)
Published: 8/21/2019 -
Episode 155: Becky Hill (Has a Dance Basket)
Published: 8/14/2019 -
Episode 154: Ben Smith (Oldtime Central Can Take You Where You Want to Go)
Published: 8/7/2019 -
Episode 153: Christine Williams (Fiddle Teacher)
Published: 7/31/2019 -
Episode 152: Kris Stableford and Bruce Bauman (Live at Earful of Fiddle Music and Dance Camp 2019)
Published: 7/24/2019 -
Episode 151: Micah Ling (Old Time Cello, Folklore, and Festival Dress)
Published: 7/17/2019 -
Episode 150: Nic Gareiss (Asking Questions Through the Body)
Published: 7/10/2019 -
Episode 149: Ruby John (The Fiddle Is Good Medicine)
Published: 7/3/2019 -
Episode 148: Bill Harlow (All the Kids Are Playing Old Time)
Published: 6/26/2019 -
Episode 147: Judy Lungren (The Duchess of Stickerville)
Published: 6/19/2019 -
Episode 146: Collin Stackhouse (Learned to Fiddle in Alaska and Play the Banjo in Antarctica)
Published: 6/12/2019 -
Episode 145: Jake Blount (Facebook Live AMA)
Published: 6/5/2019 -
Episode 144: Lewis & Spence (Aren't Bored Yet)
Published: 5/29/2019 -
Episode 143: Dan Bui (Mandolin, Bluegrass, and How to Not Burnout as a Professional Musician)
Published: 5/22/2019
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.