Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
Categories:
450 Episodes
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Episode 421: Adam Hinkel (Black Sheep Banjos)
Published: 9/18/2024 -
Episode 420: Mark Olitsky (Changing as a Musician)
Published: 9/11/2024 -
Episode 419: Zach Meyer (Old Time in Seattle and Boston)
Published: 9/4/2024 -
Episode 418: Joe Z. Johnson (Black Banjo Scholar)
Published: 8/28/2024 -
Episode 417: Jesse Milnes (Growing Up Old Time in West Virginia)
Published: 8/21/2024 -
Episode 416: Sophie Wellington (Melodic Old Time Guitar)
Published: 8/14/2024 -
Episode 415: Scott Prouty (West Virginia Crookedness, Melvin Wine’s Birthday, and Writing Tunes)
Published: 8/7/2024 -
Episode 414: Justin Robinson (German Influence and Old Time Down the Mountain)
Published: 7/31/2024 -
Episode 413: Nathan Vargo (Diva Fiddling and Flatfooting)
Published: 7/24/2024 -
Episode 412: Alice Gerrard (Luther Davis' Fiddling, Tommy Jarrell's Potato Soup, and Identity Movements in Old Time)
Published: 7/17/2024 -
Episode 411: Earl White (Green Grass Cloggers and Spreading the Old Time Gospel)
Published: 7/10/2024 -
Episode 410: Collin Stackhouse (Friend with a Podcast Tax and Health Care for All Oregon)
Published: 7/3/2024 -
Episode 409: Call Up in the Cool No. 4
Published: 6/26/2024 -
Episode 408: Northern Resonance (with Tall Poppy String Band)
Published: 6/19/2024 -
Episode 407: Steve Rosen (Banjo Whimsy)
Published: 6/12/2024 -
Episode 406: Smack Young Walser (Sweet-tooth Fiddling)
Published: 6/5/2024 -
Episode 405: Bobcat Opossum (Tune Scavengers)
Published: 5/29/2024 -
Episode 404: Calvin Woodring (Old Time Harmonica)
Published: 5/22/2024 -
Episode 403: Lillian Werbin (Elderly Instruments)
Published: 5/15/2024 -
Episode 402: Sweet Milk and Peaches (Midwestern Schottisches, Polkas, and Jigs)
Published: 5/8/2024
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.