Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays

Categories:
462 Episodes
-
Episode 433: Kate Gregory and Brendan Hearn (Original Tunes, Galico Tuning, and Old Time Cello)
Published: 12/11/2024 -
Episode 432: Brandon Godman (Buying Violins for a Living, Groovy Fiddling, and Writing Original Tunes)
Published: 12/4/2024 -
Episode 431: Omar Ruiz-Lopez (with special guest Jason Krivo Flores)
Published: 11/27/2024 -
Episode 430: Irene Herrmann (Old Time Mandolin and Fiddle and The Harmony Sisters)
Published: 11/20/2024 -
Episode 429: Forrest Carroll (Old Time for Oneself)
Published: 11/13/2024 -
Episode 428: Sadie Gustafson-Zook (Old Time Fiddle and Songwriting)
Published: 11/6/2024 -
Episode 427: Morgan Harris (Alone Will Tell)
Published: 10/30/2024 -
Episode 426: Call Up in the Cool No. 5
Published: 10/23/2024 -
Episode 425: Hildaland (Louise Bichan and Ethan Setiawan)
Published: 10/16/2024 -
Episode 424: Bex Bee and Will Jevne (Old Growth Old Time)
Published: 10/9/2024 -
Episode 423: Tristan Scroggins (The Old Time 100)
Published: 10/2/2024 -
Episode 422: Maggie Lind (Teaching Old Time, Banjo Tunes, and Women Banjoists)
Published: 9/25/2024 -
Episode 421: Adam Hinkel (Black Sheep Banjos)
Published: 9/18/2024 -
Episode 420: Mark Olitsky (Changing as a Musician)
Published: 9/11/2024 -
Episode 419: Zach Meyer (Old Time in Seattle and Boston)
Published: 9/4/2024 -
Episode 418: Joe Z. Johnson (Black Banjo Scholar)
Published: 8/28/2024 -
Episode 417: Jesse Milnes (Growing Up Old Time in West Virginia)
Published: 8/21/2024 -
Episode 416: Sophie Wellington (Melodic Old Time Guitar)
Published: 8/14/2024 -
Episode 415: Scott Prouty (West Virginia Crookedness, Melvin Wine’s Birthday, and Writing Tunes)
Published: 8/7/2024 -
Episode 414: Justin Robinson (German Influence and Old Time Down the Mountain)
Published: 7/31/2024
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.