Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
462 Episodes
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Episode 82: Erynn Marshall and Carl Jones (A Trip to Dittyville)
Published: 3/21/2018 -
Episode 81: Bitter Bloom (Domenica Romagni and Morgan Harris)
Published: 3/14/2018 -
Episode 80: Peter Mawanga (Traditional Music from Malawi)
Published: 3/7/2018 -
Episode 79: Andy McLeod (A Curated History of Fingerstyle Guitar)
Published: 2/28/2018 -
Episode 78: Matt Brown (Fiddler! Educator! Producer!)
Published: 2/21/2018 -
Episode 77: Devin Forest-Hines (Easy to Hear, Hard to Play)
Published: 2/14/2018 -
Episode 76: Brooks Masten (Banjo Builder)
Published: 2/7/2018 -
Episode 75: Jess McIntosh (Suzuki/Crooked Tunes/The Gun Control Ads of Yesteryear)
Published: 1/31/2018 -
Episode 74: Ken Perlman (Melodic Clawhammer Banjo)
Published: 1/24/2018 -
Episode 73: Charlie Walden (Midwest Fiddling, Old Time Radio, and The Mando Mule)
Published: 1/17/2018 -
Episode 72: Scott Mathis and Linda Askew (Music from the Tohono O'odham Nation)
Published: 12/20/2017 -
Episode 71: Joel Brown (Folk Punk, Crooked Tunes, and Community)
Published: 12/13/2017 -
Episode 70: Chris Dalnodar & Andy McLeod (Live at the Philadelphia Podcast Festival)
Published: 12/6/2017 -
Episode 69: Jake Blount and Cameron DeWhitt (Live at John Salmon's House PART II)
Published: 11/29/2017 -
Episode 68: Jake Blount and Cameron DeWhitt (Live at John Salmon's House)
Published: 11/22/2017 -
Episode 67: Candace Showalter (Rockbridge 2017)
Published: 11/15/2017 -
Episode 66: Sasha Hsuczyk and Lyle Werner (Marcus Martin Tunes)
Published: 11/8/2017 -
Episode 65: William Seeders Mosheim (Maker of Banjos and Tunes)
Published: 11/1/2017 -
Episode 64: Hen's Teeth (Jane Rothfield and Nathan Bontrager)
Published: 10/25/2017 -
Episode 63: Hunter Walker (Dulcimer Ambassador)
Published: 10/18/2017
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.