Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
Categories:
450 Episodes
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Episode 383: Countercurrent (Alex Sturbaum and Brian Lindsay)
Published: 12/27/2023 -
Episode 382: River & Annie (Old Time in Olympia, WA)
Published: 12/20/2023 -
Episode 381: Evan Snoey (NW Fiddling, Playing for Dances, and Fiddle Tunes on Saxophone)
Published: 12/13/2023 -
Episode 380: Isabel Dammann (Creativity in Tradition)
Published: 12/6/2023 -
Episode 379: Neil Pearlman (TradCafe Crossover)
Published: 11/29/2023 -
Episode 378: Morgan Harris (Old Time Backup Guitar)
Published: 11/22/2023 -
Episode 377: Jonathan Vocke (Two-Finger Banjo, Fiddle, and the Subdivision Train)
Published: 11/15/2023 -
Episode 376: Neal Pressley (Raising an Old Time Community)
Published: 11/8/2023 -
Episode 375: Call Up in the Cool No. 2
Published: 11/1/2023 -
Episode 374: Mark Graham (Old Time Harmonica)
Published: 10/25/2023 -
Episode 373: Tristan Clarridge (Old Time Cello)
Published: 10/18/2023 -
Send in your tune requests and questions for Call Up in the Cool No. 2!
Published: 10/16/2023 -
Episode 372: Natalie Haas (Old Time Cello)
Published: 10/11/2023 -
Episode 371: Rachel Baiman (John Hartford, Fiddle Camp Kids, and Commercial Validation)
Published: 10/4/2023 -
Episode 370: Evie Ladin (Body Music, Banjo, and Fiddling for Fun)
Published: 9/27/2023 -
Episode 369: Dante & Eros Faulk (In Person at Valley of the Moon)
Published: 9/20/2023 -
Episode 368: Laura Risk (Québécois Fiddle)
Published: 9/13/2023 -
Episode 367: Suzy Thompson (Cultural Appropriation and Extraction, Women in Old Time, and the BOTMC)
Published: 9/6/2023 -
Episode 366: Erica Weiss (Old Time Guitar)
Published: 8/30/2023 -
Episode 365: Drew Najor (Old Time in Michigan, Pretty Shaky String Band, and Age in Fiddle Tune Titles)
Published: 8/23/2023
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.