Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
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Categories:
450 Episodes
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Episode 305: Lindsay McCaw (Jolly Tunes)
Published: 6/29/2022 -
Episode 304: Betsy Brown (Fiddle Mentors)
Published: 6/22/2022 -
Episode 303: Alex MacLeod (Melodically Crooked Tunes, Instrument Building, and Square Dance Calling)
Published: 6/15/2022 -
Episode 302: Alan Garren (Grit Rhythm)
Published: 6/8/2022 -
Episode 301: Scott Killops (Old Time Facilitator)
Published: 6/1/2022 -
Episode 300: Bruce Molsky (Conversation without the Encumbrance of Words)
Published: 5/25/2022 -
Episode 299: Kelsey Nelsen (Square Dance Calling, Crankies, and Ballads)
Published: 5/18/2022 -
Episode 298: Morgan Harris (Facebook Live AMA)
Published: 5/11/2022 -
Episode 297: Caleb Klauder & Reeb Willms (Old Time Country and Mandolin)
Published: 5/4/2022 -
Episode 296: Paul Silveria (The Hidden Curriculum of Square Dance Calling)
Published: 4/27/2022 -
Episode 295: Rachel Baiman (Fiddle Tunes, Love Songs About Songs, and Money vs. Art)
Published: 4/20/2022 -
Episode 294: Joe Pomianek (Old Time Flatpicking Guitar and Mandolin)
Published: 4/13/2022 -
Episode 293: Noa (Old Time Melodic Bass)
Published: 4/6/2022 -
Episode 292: Kate Sheie (Old Time Drive, Punk, DIY, and Musical Parenting)
Published: 3/30/2022 -
Episode 291: Chris Miller (Old Time Tenor Saxophone)
Published: 3/23/2022 -
Episode 290: Maddie Witler (Old Time and Bluegrass Mandolin)
Published: 3/16/2022 -
Episode 289: Betse & Clarke (Ozark Feel and Missouri Rules)
Published: 3/9/2022 -
Episode 288: Eli West (Make Your Normal Different)
Published: 3/2/2022 -
Episode 287: Linnea Spitzer (A tunes, Whiskey Pacts, and Old Time Socializing)
Published: 2/23/2022 -
Episode 286: Alex Sturbaum (The Vashon Sessions, Old Time Accordion, Lift vs. Groove, and Wholesome Chanteys)
Published: 2/16/2022
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.