History of Art
A podcast by Oxford University
Categories:
58 Episodes
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Slade Lectures 2009: Week 4: The Caricatural: Visual Humour and Subversive Style
Published: 2/18/2013 -
Slade Lectures 2009: Week 3: Naturalism: Flexibility or Failure of Style?
Published: 2/18/2013 -
Slade Lectures 2009: Week 2: Naturalism at the Service of the Republic
Published: 2/18/2013 -
Slade Lectures 2009: Week 1: Defining the Dominant Naturalism
Published: 2/18/2013 -
Not Vital: Art is Global
Published: 12/13/2011 -
Slade Lectures 2010: Week 8: Walking distance from the studio: cities, maps, and myths
Published: 4/18/2011 -
Slade Lectures 2010: Week 7: Transnational Surrealism: Tropiques and the role of the little magazine
Published: 4/18/2011 -
Slade Lectures 2010: Week 6: Monuments and ruins: Surrealism and archaeology in the New World
Published: 4/18/2011 -
Slade Lectures 2010: Week 5: Poetry, politics, and sexuality: Surrealism in Latin America
Published: 4/18/2011 -
Slade Lectures 2010: Week 4: The experimental demonstration of critical paranoia: Salvador Dalí's The Tragic Myth of Millet's Angelus
Published: 4/18/2011 -
Slade Lectures 2010: Week 3: Beyond art: 'the enemy within', Georges Bataille and Documents
Published: 4/18/2011 -
Slade Lectures 2010: Week 2: Beyond painting: collage, objects, installations
Published: 4/18/2011 -
Slade Lectures 2010: Week 1: Automatism and chance: Surrealist strategies and their legacies in contemporary art and film
Published: 4/18/2011 -
Core Course: Modernism and Mass Culture
Published: 3/11/2011 -
Core Course: Women as Patrons of the Arts in Early Modern Europe
Published: 3/11/2011 -
Core Course: Painting as visual and material culture in Ming China
Published: 3/11/2011 -
Research Seminar: Michelangelo: A Life on Paper
Published: 11/26/2010 -
Putting China in its Place in the History of Art
Published: 12/2/2008
History of Art at the University of Oxford draws on a long and deep tradition of teaching and studying the subject. The core academic staff of the History of Art Department work on subjects from medieval European architecture to modern Chinese art. Over fifty associated academic staff (e.g. in Anthropology, Classics, History, Oriental Studies, and the Ruskin School of Drawing) include teachers and researchers across the full global and historical range of art and visual culture. This offers students exciting possibilities to take courses and receive supervision on a very wide range of topics, and to develop their own interests in art history.