In the Foreground: Conversations on Art & Writing
A podcast by Caro Fowler - Tuesdays
Categories:
58 Episodes
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“Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking
Published: 3/26/2024 -
"A Critique of What Art Can Do”: Jennifer Nelson on Undoing Mastery
Published: 3/19/2024 -
“To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art
Published: 3/12/2024 -
“The Magic Art of Framing”: Alexander Nemerov on Writing History and Making a World
Published: 3/5/2024 -
"On Living Archives": Tsedaye Makonnen on Collaboration and Black Performance Practices
Published: 4/18/2023 -
"Attention Becomes a Kind of Politics": Sarah Hamill on Sculpture and Interpretation
Published: 4/11/2023 -
“Shifting Focal Points”: Sergei Tcherepnin on Sonic Attention
Published: 4/4/2023 -
“What ‘Minor' Histories Allow Us to See”: Donette Francis on Writing African Diaspora
Published: 3/28/2023 -
"I Never Start with Nothing": Mary Lum on Collage and Constructed Geographies
Published: 3/21/2023 -
“An Outward-Looking Model”: The Future(s) of the University and Higher Education in a Digital Age with Koenraad Brosens and Blake Stimson
Published: 4/12/2022 -
“What are Our Important Questions?”: Collaboration and Interdisciplinarity in a Digital Age with Jacqueline Francis and Susan Elizabeth Gagliardi
Published: 4/5/2022 -
“To Make Visible the Structures”: Challenging the Canon, Digital and Beyond, with Niall Atkinson and Min Kyung Lee
Published: 3/29/2022 -
“Distance and Criticality”: The Digital Humanities and the Potential for Art History Scholarship with Hubertus Kohle and Emily Pugh
Published: 3/22/2022 -
“Directed Towards How We See Ourselves”: Social Art History in a Digital World with Paul B. Jaskot and Barbara McCloskey
Published: 3/15/2022 -
“A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS
Published: 2/1/2022 -
“A Picture of Resilience”: Ashley Lazevnick on Charles Demuth’s "Red Poppies"
Published: 2/1/2022 -
“An Expression of the Poetic Self”: Yuefeng Wu on the Stele Inscription of the Jiu-Cheng Palace
Published: 2/1/2022 -
“From Imitation to Evolution”: Emmelyn Butterfield-Rosen on Georges Seurat’s "A Sunday on La Grande Jatte–1884"
Published: 2/1/2022 -
“An Allegory of Representation”: Byron Otis on Gabriel Metsu’s "View into a Hall with a Jester, a Boy, and his Dog"
Published: 2/1/2022 -
"Touching at a Distance”: Ellen Tani on Nadine Robinson’s "Coronation Theme: Organon"
Published: 2/1/2022
What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today.