Music History Monday
A podcast by Robert Greenberg - Mondays
Categories:
176 Episodes
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Music History Monday: Richard Strauss, Stanley Kubrick, Friedrich Nietzsche, and “Thus Spoke Zarathustra”
Published: 11/27/2023 -
Music History Monday: The Great-Grandmother of All Concert Tours: Elton John’s “Farewell Yellow Brick Road: The Final Tour”
Published: 11/20/2023 -
Music History Monday: Gioachino Rossini and the Comedic Mind
Published: 11/13/2023 -
Music History Monday: The March King
Published: 11/6/2023 -
Music History Monday: Franz Schubert: An Unfinished Symphony; An Unfinished Life
Published: 10/30/2023 -
Music History Monday: Al Jolson and the Painful Legacy of Blackface
Published: 10/23/2023 -
Music History Monday: Mathilde Made Him Do It!
Published: 10/16/2023 -
Music History Monday: The Parrot
Published: 10/9/2023 -
Music History Monday: 710 Ashbury Street, San Francisco, California
Published: 10/2/2023 -
Music History Monday: In a Class by Himself
Published: 9/25/2023 -
Music History Monday: Jimi Hendrix and the 27 Club
Published: 9/18/2023 -
Music History Monday: They Did Not Go Gently…
Published: 9/11/2023 -
Music History Monday: On the Spectrum
Published: 9/4/2023 -
Music History Monday: Lohengrin
Published: 8/28/2023 -
Music History Monday: Where is the “Sin” in “Synthesizer?: Robert Moog and “Synthetic” Sound
Published: 8/21/2023 -
Music History Monday: Worst. Timing. Ever
Published: 8/14/2023 -
Music History Monday: All Hail The King!
Published: 8/7/2023 -
Music History Monday: Nepo Babies
Published: 7/31/2023 -
Music History Monday: Ernest Bloch
Published: 7/24/2023 -
Music History Monday: Elaine Stritch: An Appreciation
Published: 7/17/2023
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.