Oxford Comparative Criticism and Translation (OCCT)
A podcast by Oxford University
39 Episodes
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Translation as Afterlife
Published: 2/24/2017 -
“Forgotten Europe”: Translating Marginalised Languages
Published: 2/10/2017 -
Between Languages: Working in and out on Translation
Published: 11/30/2016 -
Literature Beyond Literary Studies: Intermediality and Interdisciplinarity
Published: 11/1/2016 -
Comparative Criticism: What Is It and Why Do We Do It?
Published: 10/19/2016 -
Intercultural Literary Practices
Published: 11/9/2015 -
Fiction and Other Minds
Published: 11/9/2015 -
Extremist Translation and the Deformation Zone
Published: 7/24/2015 -
Lunchtime talk with Italian journalist Antonio Armano
Published: 6/23/2015 -
Translation and Ekphrasis: Dante and the visual arts
Published: 2/24/2015 -
Intercultural Tales
Published: 2/17/2015 -
To the Lighthouse
Published: 2/9/2015 -
OCCT event - The Creativity of Criticism part four
Published: 12/19/2014 -
OCCT event - The Creativity of Criticism part three
Published: 12/19/2014 -
OCCT event - The Creativity of Criticism part two
Published: 12/19/2014 -
Languages of Criticism - Translation and Comparison part two
Published: 12/17/2014 -
Unbuttoning Catullus
Published: 12/1/2014 -
Other Worlding
Published: 11/14/2014 -
Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros
Published: 11/14/2014 -
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’
Published: 9/20/2014
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.