Read Between the Wines Podcast
A podcast by Pierre Ferland
68 Episodes
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E50 - Domaine Lafage, Roussillon, France
Published: 4/17/2024 -
E49 - Foot Trodden (Wines of Portugal) · Simon Woolf
Published: 4/6/2024 -
E48 - Ziraldo Prosecco, Italy
Published: 2/9/2024 -
E47 - Xavier Vignon, Rhône Valley, France
Published: 11/23/2023 -
E46 - De Long Maps & Charts · Steve De Long
Published: 11/4/2023 -
E45 - The Wine Bible · Karen MacNeil, USA
Published: 11/29/2022 -
E44 - Versado Winery, Mendoza, Argentina
Published: 11/16/2022 -
E43 - Two Sisters Vineyards, Canada
Published: 12/8/2021 -
E42 - Windrush Estate Winery, Canada
Published: 11/17/2021 -
E41 - Ken Forrester Vineyards, South Africa
Published: 5/14/2021 -
E40 - Big Macs and Burgundy · Vanessa Price, USA
Published: 4/29/2021 -
E38 - Trialto Wine Group · Richard Dittmar, Canada
Published: 4/1/2021 -
E37 - Rosewood Winery, Canada
Published: 3/12/2021 -
E36 - 2027 Cellars, Canada
Published: 3/7/2021 -
E35 - Noble Estates Wine & Spirits · Craig De Blois, Canada
Published: 1/19/2021 -
E34 - Queenston Mile Vineyard, Canada
Published: 12/16/2020 -
E33 - Ferox Wines, Canada
Published: 3/18/2020 -
E32 - Remy Wines, Oregon, USA
Published: 3/7/2020 -
E31 - Donald Ziraldo · The History of Canadian Wine
Published: 2/27/2020 -
E30 - Burghundy · Adam Knoerzer, Pittsburgh, USA
Published: 2/14/2020
Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.