Subtext: Conversations about Classic Books and Films
A podcast by Wes Alwan and Erin O'Luanaigh - Mondays
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124 Episodes
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Possibility and Loss in the Poetry of Rainer Maria Rilke (Part 2)
Published: 2/17/2025 -
Possibility and Loss in the Poetry of Rainer Maria Rilke
Published: 2/11/2025 -
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2
Published: 2/3/2025 -
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970)
Published: 1/27/2025 -
Aesthetic Humility in Marianne Moore’s “The Jerboa” (Part 2)
Published: 1/20/2025 -
Aesthetic Humility in Marianne Moore’s “The Jerboa”
Published: 1/12/2025 -
Word and Image in “Sunset Boulevard” (1950) – Part 2
Published: 1/6/2025 -
Word and Image in “Sunset Boulevard” (1950)
Published: 12/29/2024 -
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” (Part 2)
Published: 12/23/2024 -
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin”
Published: 12/16/2024 -
The Aesthetics of Death in “Beetlejuice” (1988) (Part 2)
Published: 12/9/2024 -
The Aesthetics of Death in “Beetlejuice” (1988)
Published: 12/2/2024 -
A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 2)
Published: 11/25/2024 -
A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 1)
Published: 11/18/2024 -
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 2
Published: 10/28/2024 -
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 1
Published: 10/21/2024 -
Love Dishonored in Euripides’ “Medea” (Part 6)
Published: 10/14/2024 -
Love Dishonored in Euripides’ “Medea” (Part 5)
Published: 10/7/2024 -
Love Dishonored in Euripides’ “Medea” (Part 4)
Published: 9/30/2024 -
Love Dishonored in Euripides’ “Medea” (Part 3)
Published: 9/23/2024
Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.