The 21st Rewrite
A podcast by W. H. A. Coldwell
57 Episodes
-  Eye in the Sky (2015) - with Guy HibbertPublished: 11/11/2021
-  The Village - Writers' WorkshopPublished: 7/19/2021
-  Sully (2016) — with Todd KomarnickiPublished: 5/25/2021
-  1917 - Writers' WorkshopPublished: 5/18/2021
-  Oscars 2021: The Father, Promising Young Woman and all of the Screenwriting NomineesPublished: 5/10/2021
-  Locke (2013) - Screenplay by Steven KnightPublished: 4/19/2021
-  A.I. Artificial Intelligence (2001) - Screenplay by Steven SpielbergPublished: 3/22/2021
-  Ad Astra (2019) with Zosha Millman - Screenplay by James Gray and Ethan GrossPublished: 3/8/2021
-  The Rider (2017) with Kira-Anne Pelican - Screenplay by Chloé ZhaoPublished: 2/23/2021
-  The Sense of an Ending (2017) with Alistair Owen - Screenplay by Nick PaynePublished: 2/9/2021
-  The Young Woman (2020) with Edward Drake - Screenplay by Edward DrakePublished: 12/16/2020
-  Beats (2019) with Kieran Hurley - Screenplay by Kieran HurleyPublished: 11/23/2020
-  Alpha (2018) with Christine Schreyer and Dan Wiedenhaupt - Screenplay by Dan WiedenhauptPublished: 11/10/2020
-  There Will Be Blood (2007) with Ralph Leonard - Screenplay by Paul Thomas AndersonPublished: 10/26/2020
-  Hotel Mumbai (2018) with John Collee - Screenplay by John Collee and Anthony MarasPublished: 6/25/2020
-  The 21st Recap (Season Two) - Year-In-Review and AwardsPublished: 6/18/2020
-  Three Billboards Outside Ebbing, Missouri (2017) - Screenplay by Martin McDonaghPublished: 6/3/2020
-  Children of Men (2006) - Screenplay by Alfonso Cuarón, Timothy J Sexton, David Arata, Mark Fergus & Hawk Ostby - Writing a Movie - ReviewPublished: 5/12/2020
-  Black Swan (2010) - Screenplay by Mark Heyman, Andres Heinz and John McLaughlin - Writing a Movie - ReviewPublished: 5/5/2020
-  Master and Commander: The Far Side of the World (2003) with Everett Rummage - Screenplay by John Collee - Writing a Movie - ReviewPublished: 4/27/2020
In-Depth screenwriting podcast, focusing on the great films of the 21st century. We have three episode formats, either individual screenplay breakdowns, subject-matter experts coming on to discuss a film they love, and interviews with prominent screenwriters.
