The Holmes Archive of Electronic Music

160 Episodes

1. Chapter 20, The Experimental Music Studio, University of Illinois

   Published: 3/2/2025
2. Chapter 19, The Cooperative Studio for Electronic Music, Ann Arbor

   Published: 3/2/2025
3. Chapter 18, The Columbia– Princeton Electronic Music Center, New York

   Published: 3/2/2025
4. Chapter 17, John Cage in the United States

   Published: 3/2/2025
5. Chapter 16, Other European Electronic Music Studios

   Published: 3/2/2025
6. Chapter 15, Elektronische Musik in Germany

   Published: 3/2/2025
7. Chapter 14, Musique Concrète in France

   Published: 3/2/2025
8. Chapter 13, Edgard Varèse and The Listener’s Experiment

   Published: 3/2/2025
9. Chapter 12, The History of Audio Recording Technology

   Published: 3/2/2025
10. Chapter 11 Electronic Music Performance Instruments (1920– 40).

    Published: 3/2/2025
11. Chapter 10, Earliest Experiments in Electronic Music (Pre- 1920)

    Published: 2/16/2025
12. Chapter 09, MIDI, Noise Reduction, and Audio Compression Technologies

    Published: 2/16/2025
13. Chapter 08, Tape Composition and Sound Editing

    Published: 2/16/2025
14. Chapter 07, Computer Music Basics

    Published: 2/16/2025
15. Chapter 06, Analog and Digital Synthesis Basics, Part 2

    Published: 2/16/2025
16. Chapter 06, Analog and Digital Synthesis Basics, Part 1

    Published: 2/16/2025
17. Chapter 05, The Physics of Musical Sound

    Published: 2/6/2025
18. Chapter 04, Electronic Music Composition by Process

    Published: 2/6/2025
19. Chapter 03, How Electronic Music is Composed.

    Published: 2/6/2025
20. Chapter 02, Listening to Electronic Music

    Published: 2/6/2025